<body><script type="text/javascript"> function setAttributeOnload(object, attribute, val) { if(window.addEventListener) { window.addEventListener('load', function(){ object[attribute] = val; }, false); } else { window.attachEvent('onload', function(){ object[attribute] = val; }); } } </script> <div id="navbar-iframe-container"></div> <script type="text/javascript" src="https://apis.google.com/js/platform.js"></script> <script type="text/javascript"> gapi.load("gapi.iframes:gapi.iframes.style.bubble", function() { if (gapi.iframes && gapi.iframes.getContext) { gapi.iframes.getContext().openChild({ url: 'https://www.blogger.com/navbar.g?targetBlogID\x3d13627209\x26blogName\x3dThe+Cynical+Ones\x26publishMode\x3dPUBLISH_MODE_BLOGSPOT\x26navbarType\x3dBLUE\x26layoutType\x3dCLASSIC\x26searchRoot\x3dhttps://thecynicalones.blogspot.com/search\x26blogLocale\x3den_US\x26v\x3d2\x26homepageUrl\x3dhttp://thecynicalones.blogspot.com/\x26vt\x3d-4663045453058572490', where: document.getElementById("navbar-iframe-container"), id: "navbar-iframe", messageHandlersFilter: gapi.iframes.CROSS_ORIGIN_IFRAMES_FILTER, messageHandlers: { 'blogger-ping': function() {} } }); } }); </script>
About Me

Writer. Music head. Political junkie. Pop culture whore. Funny black boy. Looking to have a voice in the world -- with a few good sponsors.

View My Complete Profile


Find Me Here:

The Recession Diaries

The Spin

Stay Tuned

Twitter


The Roll

1016

Aliya King

All That I Am: A Diary of My Randymethoughts Pt. II

Amerika's Muse

Bark + Bite

Basement Elevation

Bomani Jones

Bossip

Brooklyn Sista

Clay Cane

Concrete Loop

crunk and disorderly

Dope Penmanship

Fly Cliches

Four Four

GangStarrGirl

Got Sole?

Hot 2 Def Inc.

Incommunicado

Just Another Girl on the IRT

Me, Myself An Eye

Middlechild Promotions

Mz. Virgo

Necole Bitchie

Negrita Linda

One Boy Revolution

Oo Itz Santo

Queen of the Non Sequiturs

Queen To Be

Rhymes With Snitch

Soulbounce

Straight From The A

Thank God I'm Famous

That Grape Juice

The Fury

The Real 7

The search for RELLevance

Think2wice

Toya's World



Previous Posts

Picture Day: Patti Labelle
Help Me: Kelly Rowland
Bottle Action
Boo!
Though I’ve done it in the past, I’ve shied away...
Pump Me Up
I Know You See It
Fighting 'The Agenda'
Picture Day: Kelly Rowland
Everybody Needs Some Good Lovin'

archives

May 2005
June 2005
July 2005
August 2005
September 2005
October 2005
November 2005
December 2005
January 2006
February 2006
March 2006
April 2006
May 2006
June 2006
July 2006
August 2006
September 2006
October 2006
November 2006
December 2006
January 2007
February 2007
March 2007
April 2007
May 2007
June 2007
July 2007
August 2007
September 2007
October 2007
November 2007
December 2007
January 2008
February 2008
March 2008
April 2008
May 2008
June 2008
July 2008
August 2008
September 2008
October 2008
November 2008
December 2008
January 2009
February 2009
March 2009
April 2009
May 2009
June 2009
July 2009
August 2009
September 2009
October 2009


Add to Technorati Favorites

Site Meter

free page hit
counter

Sunday, November 11, 2007
4:38 PM


American Gangster

 

I expected American Gangster to be another underwhelming album solely released to appease the vanity and attention whoring needs of Jay-Z. My decline in faith began with The Blueprint 2, where Hov’s ego dictated he try to duplicate the double album successes of the Notorious B.I.G. and 2 Pac (more so the former than the latter), nixing the opportunity to release two classic albums back-to-back. Then came the would-be retirement album (that most people rightly didn’t buy as packaged), The Black Album, a solid but not completely memorable album that offered brilliant highs like “December 4th” and “99 Problems” to laughable lows like “Justify My Thug,” which lifted from the Lenny Kravitz produced, Madonna performed track “Justify My Love.”

Then there’s Kingdom Come, the ‘comeback’ album that brought on debates of whether a forced bon voyage would save Jay --- or at least his legacy as an emcee.

With that in mind, it’s not surprising I expected another rehash of the same old Jay-Z mantra offered over past years: I sold drugs, I’m rich, I’m the shit, and if you don’t like it, you can suck my dick along with the name dropping of several high end designer brands to reiterate just how refined (re: paid) Hov now is.

When word came that American Gangster was recorded after Jay was “inspired” by the film of the same name, my initial reaction was, “Oh great, he’s found another way to talk about drugs!,” in addition to the movie studio garnering the type of publicity for a film typically only generated through a multi-million dollar campaign.

The hype started with the release of “Blue Magic,” a track that was touted as a Rakim-inspired single, but made me think more of En Vogue, thanks to the Pharrell crooned chorus that borrows the lyrics of the quartets single, “Hold On.”

The album seemed like nothing more than an attempt to reclaim street cred. Once I checked my preconceived notions at the door and took a listen to the album, I came to find that American Gangster is not a complete re-visit to Reasonable Doubt; it’s more so an hour long listen that details the evolution that’s occurred since the release of it.

Some things never change, like Jay’s acknowledgment of his conflicting morals, as evidenced by “Pray” (“I’m not an angel/I’m sure/But every night before I lay/I drop my knees to the floor and I pray”). It wouldn’t be a post-wealth Hov album without the mention of some designer (“I am so dope/Like Loubouttin with the red bottoms/You gotta have ‘em/ You glad you got ‘em”). And there’s a familiar production value that recalls past albums, like the horns heard on the second single, “Roc Boys (And The Winner Is…),” or the sampling and referencing of soul legends found throughout the bulk of the album.

But perhaps my beef isn’t so much with Jay’s familiarity as it’s been with his presentation of it. It’s not surprising that his finest albums are those with themes that are interconnected. That’s the reason why The Blueprint will always be deemed superior to its sequel.

On American Gangster, Jay-Z offers a musical biography that acknowledges his past, but doesn’t wallow in it. It’s then and now, not then and then some. In fact, the maturity conveyed through tracks like “Ignorant Shit,” show that hip hop ought to look into getting over it’s obsession with age, as an emcee pushing 40 has done what the majority of his contemporaries still in their 20s haven’t been able to do --- effectively articulate a convincing counter argument to hip hop’s criticizers, thus proving he still has a lot to offer the genre.

Though I was right in my suspicions that this album would be typical Jay, I was wrong in my assessment that that’s a bad thing. American Gangster is the same old Jay only with a maturity that comes with maintaining relevance for over a decade, and a level of focus that’s only in the possession of real artists.

The ruler’s back…in correct form.

Labels:


The Cynical Ones.
posted by Michael at